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Wharton Esherick
Hessian Hills Child’s Chair, 1931

Dimensions:
15 × 15.5 × 26.5 in (W x D x H)
38.1 x 39.37 x 67.31 cm

Red oak and leather (seat replaced to match the original back)

In 1924, Esherick created a prototype for a child’s chair, now in the permanent Collection of the Wharton Esherick Museum, of which he would make six the following year. These chairs were made in lieu of tuition payment for his then nine-year-old daughter Mary, to accompany her to the newly minted progressive school for children in Croton, New York, known as the Hessian Hills School. In the fall of 1930 the School suffered a fire which took with it the chairs Esherick had delivered in 1925. Funded by insurance money, Esherick made fifteen replacement chairs in 1931. Around the time Esherick completed his chairs, William Lescaze and George Howe were selected to design a new school building. The outfitting of the classrooms with tubular chrome furniture may have led Esherick’s chairs to find new homes or uses. Three of the Hessian Hills School chairs are known to be extant, this one and two others with replaced leather seats and backs that Moderne Gallery sold to the permanent Collection of the Modernism Museum Mount Dora. Another example of the chair, made at the same time for Helene Koerting Fischer, is now in the Collection of Mansfield (Bob) Bascom.

Wharton Esherick (1887 – 1970) was an internationally significant figure in the landscape of art history and American modern design. As a sculptor, Esherick worked primarily in wood and extended his unique forms to furniture, furnishings, interiors, buildings, and more. A Philadelphia-area modernist sculptor deeply influenced by the Arts & Crafts movement, Wharton Esherick designed and built furniture distinctive for its asymmetric, prismatic forms. His goal was to design furniture that functioned as sculpture, and sculpture that functioned as furniture.

Dimensions15 × 15.5 × 26.5 in
Style

Artist

Date

1931

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